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Hard bop trumpeter Lee Morgan (3/3)
Saturday 21st September 2024, 17:00 – House of Hard Bop. The Procastinator is an album by Lee Morgan, recorded by Blue Note in 1967 and 1969. But the release did not follow until 1978. Given the quality, you wonder why it remained on the shelf for so long. From the second half of the 1960s onwards, several Blue Note recordings by Morgan suffered the same fate. And Lee Morgan Live at the Lighthouse (1970) is the last album, and the only live recording released during his lifetime. Fireworks! The top line-up of the album The Procrastinator: besides Morgan, Wayne Shorter tenor, Bobby Hutcherson vibraphone, Herbie Hancock piano, Ron Carter bass, Billy Higgins drums. Hutcherson’s vibes are a radiant color in this sound palette. The opening piece, the refined layered The Procrastinator, shows the composer Lee Morgan at his best. In a relaxed tempo, the first 16 bars (8+8) expose an equally relaxed, unison melody. Hancock’s piano riffs contrapuntally, ‘John Lewis-like’ through it. This is followed by a change to a strongly contrasting, tension-building bridge: tension in the harmonic polyphony, and in a – agonizingly slow – chromatic ascent. The theme section is concluded by repeating the 16 opening bars. Then: bass and drums play a swing intro of 4 bars, after which… the exposition is repeated in its entirety, now with swing accompaniment in the rhythm section. The theme is captivating enough to hear it again in that variant. Now the soloists can let loose, each one chorus, which results in beautiful, concentrated solos. The conclusion also brings back the theme section twice, but now mirrored in relation to the beginning. Party Time (Morgan) keeps it – in the same tempo – a bit simpler. A blues that easily, naturally, slides into the ears – a characteristic, by the way, that can also be attributed to the high quality of the composition and the perfection of the soloistic elaborations. Pianist Hancock opens all his blues registers. Just try to sit still while listening, and keep your body still. It will be difficult. Wayne Shorter’s Dear Sir switches back in tempo and mood. The listener must switch up in concentration. Alternative: lie down quietly and let everything come over you. A typical Shorter theme, not easy to sing. Long sustained notes. Meditative atmosphere, that is retained in all solos. We don’t hear Morgan like this very often. Stop Start (Morgan) is an energetic, up-tempo bebopper. We can forgive drummer Higgins’ mistake at the beginning of the four-by-four (three bars instead of four). Rio is the second Shorter from this album. Long intro of bass, coupled with a bossa-like drum pattern. Don’t miss the pianissimo sounds of Hutcherson’s vibraphone. Just like in Dear Sir, we hear Morgan connecting with Shorter’s solo. Everyone lets themselves be steered in Shorter’s direction by this theme too. After the flowing, ‘over the bar lines’ undulating intro by pianist Hancock, Morgan’s theme Soft Touch sounds surprisingly clear. Eight bars, basic chord progression – the soloists know what to do with that. Soft Touch? Sometimes the sparks fly from Hutcherson’s vibraphone. A fitting final chord to this series of pieces. In July 1970, Lee Morgan is in the legendary jazz club The Lighthouse, in Hermosa Beach, California. Next to him saxophonist Bennie Maupin. Harold Mabern piano, Jymie Merritt bass, and Mickey Roker drums. Blue Note Records records and releases the album a year later: Lee Morgan Live at the Lighthouse. It is the last record, and the only live recording, released during Morgan’s lifetime. The Beehive is a composition by pianist Harold Mabern; one of his best-known. A tuxedo theme, consisting of short, varying phrases, alternated with solidly filled solo bars by drummer Mickey Roker. That sets the tone. The long, effervescent solos by Maupin, Morgan, Mabern and Roker – what energy bursts from that drum set! – maintain the high pressure for more than 15 minutes. A year and a half after this concert, a pistol shot from his ex ends Lee Morgan’s life. House of Hard Bop – Eric Ineke Next month in House of Hard Bop: the Herbie Hancock Sextet Click for the first broadcast (1/3) of ‘Hard bop trumpeter Lee Morgan’ Click for the first news item (1/3) Click for the second broadcast (2/3) Click for the second News item (2/3)
Concertzender’s 40th anniversary festival
Concertzender is celebrating its 40th anniversary! Over the years, we have recorded many special performances in collaboration with Dutch (and now also Flemish) venues and organisations. In September, we will have a special anniversary festival with concerts to celebrate our anniversary. We would love to meet you on one of these days! We are particularly honoured that three cultural friends have offered to celebrate our anniversary with them. We will be guests at the festival Muze van Zuid and Zaal 100 in Amsterdam and at De Link in Tilburg. With this programming, we can show the versatility of Concertzender. Early music For the seventh time, Muze van Zuid will transform the streets, squares, parks, private homes and monuments of Amsterdam Zuid into a lively stage for live music by top musicians. Music can be heard for five days. These two concerts with early music are especially recommended for our listeners: Friday 13th September 17:30 – 19:00 Obrechtkerk Amsterdam Chapel music of Space Buy a ticket now Hollands Collectief makes the space of the Obrechtkerk shine, with universe researcher Galileo Galilei as inspiration. With music by Orlandus Lasso and Jan Pieterszoon Sweelinck, among others. More info Saturday 14th September 17:30 – 19:30 Vondelkerk Amsterdam Poet’s love: baroque & spoken word Buy a ticket now Brand new poetry set to the most beautiful early music! Camerata Trajectina brings music to texts by contemporary spoken word artists this evening. More info Electronic and jazz Saturday 14th September Zaal 100 Amsterdam Crosslinks of the Concertzender The Concertzender offers a much-needed place for music that you can’t hear anywhere else. The Crosslinks name includes programmes where our programme makers let us hear their discoveries, cutting across musical laws and genre thinking. Art institution Zaal 100 in Amsterdam also focuses on experiment and talent development. And they were also founded in 1984! We celebrate our mutual anniversary with a joint programme that fits in Zaal 100 and the Concertzender. Adventurous, dynamic and innovative are the key words. Let yourself be surprised in two halls by a crosslink of exciting new music. Details about the programme will follow. New music Sunday 15th September 19:30 – 21:30 Vondelkerk Amsterdam Closing party: Concertzender 40 years Buy a ticket now The festive closing of the seventh edition of the Amsterdam music festival Muze van Zuid is dedicated to 40 years of Concertzender! The festival has been playing old and new music for five days, with the same love for music as Concertzender. Star violinist Julija Hartig and her fantastic pianist Reineke Broekhans will play music by Isidora Žebeljan and Veljko Nenadić, among others. After the break, the acclaimed Oorkaan Ensemble will play music by Steven Kamperman, among others. More info Photo: Nichon Glerum Contemporary Tuesday 17th September 20:00 De Link in the Cenakel Tilburg Celebrating together: 40 Years of Concertzender! Buy a ticket now The festive opening of season 24/25 of De Link is our last anniversary concert. We celebrate this together with our friends in the South, with music by none other than pianist Antonii Baryshevskyi, accordion duo TOEAC and a discovery tour on the pipe organ by Oscar Peters. De Link is a concert organization for newly composed music in Tilburg, led by composers, musicians and enthusiasts. And where we have recorded concerts for our music archive ConcertPodium for many years. More info

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