A weekday programme about the oeuvre of Johann Sebastian Bach with producer Govert Jan Bach and host Joop van Zijl.
Episode 300. This anniversary edition is not, as usual, compiled by Govert Jan Bach, but by Irene Stolp, Coordinator Early Music.
On occasion of our 300th episode Govert Jan Bach thought it would be nice to get Irene away from her desk and put her next to Joop van Zijl.
Irene creates a many programmes herself and she is the editor of all our Early Music programmes. Meaning she is also responsible for Bach Ad Infinitum. She keeps an eye on concerts, has a large network and maintains the website for the programme.
Joop van Zijl is, as always, looking forward to the show, and will put Irene at ease. Who is Irene? And what place has Bach in her life? What are her favourite pieces?
Johann Sebastian Bach (1685-1750)
1. Motet “Komm, Jesu, komm”, BWV 229
Dutch Chamber Choir conducted by Peter Dijkstra
2. From Lute suite in D minor, BWV 997:
– Preludio
– Gigue
– Double
Heiko ter Schegget, recorder. Zvi Meniker, harpsichord
3. “Erbarme dich” from Matthäus Passion
Michael Chance, countertenor. English Baroque Soloists conducted by John Eliot Gardiner
4. Kantate Gottes Zeit ist die Allerbeste Zeit (Actus Tragicus), BWV 106
– Sonatina
– a. Coro b. Arioso Tenore c. Arioso Basso d. Coro
– a. Aria Alto b. Arioso Choral, Alto, Basso
– Coro
Marcus Klein, soprano. Raphael Harten, alto. Marius van Altena, tenor. Max van Egmond, bass. Knabenchor Hannover. Collegium Vocale Gent. Leonhardt-Consort conducted by Gustav Leonhardt
(CD Das Kantatenwerk Vol. 6, Teldec 4509-91760-2, 1980/1994)
Pictured/presentation: Irene Stolp and Joop van Zijl
