Audiosphere Sound Experimentation 1980 – 2020. Part 30.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. John Wynne. Fallender ton für 207 lautsprecher boxen [fragment]. 5:29.
02. Jorge Bejarano Barco. Máquinas Mestizas [fragment]. 6:00.
03. Jorge Castro aka Fisternn. Metaphysical ambient 4. 5:58.
04. Jorge Haro. modul+ m [fragment]. 6:00.
05. Jørgen Larsson. Crashing Happy. 4:05.
06. Jørgen Teller. Tide [fragment]. 3:54.
07. José Iges. Dylan In Between. 4:36.
08. José Tomé. Rhythmrain [fragment]. 4:29.
09. Josep Maria Balanyà. Archaic Rubbers. 5:58.
10. Joseph Nechvatal. Sleep [fragment]. 4:12.
11. Josten Myburgh. Footybox (Ballardong Noongar boodja). 4:51.
12. Juan Crek. Yo soy yo. 4:33.
