Early Music expert Kees Koudstaal serves up the most wonderful and recent classical and Early Music CD’s. This time, we will hear the new editions of bass Dominik Wörner and the Kirchheimer Dübenconsort conducted by Jörg-Andreas Bötticher, Selene conducted by Daniel Gilchrist, the violinist duo Bartłomiej Fraś and Martyna Pastuszka, and Bach Collegium Japan conducted by Masaaki Suzuki.
1a. Julius Johann Weiland (1625|1630-1663)
– Sonata à 3
1b. Christian Andreas Schulze (ca. 1655-1699)
– Wie der Hirsch schreiet nach frischem Wasser
Dominik Wörner, bass. Kirchheimer Dübenconsort conducted by Jörg-Andreas Bötticher
(CD: ‘Wie der Hirsch schreiet’, Passacaille no. PAS 1160, 2025)
2a. Nicholas Huchyn (ca. 1465-1513/9)
– Ascendit Christus a5 (secunda pars)
2b. Robert Fayrfax (1464-1521)
– Ave, Lumen Gratiae a4 (prima pars)
vocal ensemble Selene conducted by Daniel Gilchrist, tenor
(CD: ‘Heavenly Light’, CRD no. 3555, 2024 in NL: 2025)
3. August Fryderyk Duranowski (1770-1834)
– Duo concertant in D major. Op. 3, no. 2
Bartłomiej Fraś and Martyna Pastuszka, violin
(CD: ‘Duranowski – Lolli – Violin Duets’, Prospero no. PROSP-0116, 2025)
4. Johannes Brahms (1833-1897)
– From Ein deutsches Requiem, Opus 45: I. ‘Selig sind, die da Leid tragen’
Bach Collegium Japan conducted by Masaaki Suzuki
(CD: ‘Johannes Brahms – Ein deutsches Requiem’, BIS no. 2751, 2025)