“That I must listen so that I may play”; the eventful career of Nicholas Charles Bochsa.
The harp remains a beloved but rare instrument. This episode of the Wandeling is intended as a reassessment of harp music from the 19th century, a period whose compositions for this instrument are unfortunately still often not taken very seriously. It is time to change that! Tonight we focus on the eventful and productive life of harpist and composer Nicholas Charles Bochsa (1789-1856).
Playlist:
- Nicholas Charles Bochsa: Sonata for clarinet and harp, op. 52 in E flat major “Grande Sonata”
Olivier Dartevelle, clarinet Rachel Talitman, harp - Nicholas Charles Bochsa: Nocturne for harp and viola, op. 51, no. 1
Pierre-Henri Xuereb, viola Rachel Talitman, harp - Nicholas Charles Bochsa: Nocturne for clarinet and harp, no. 1
Elena Gorna, harp Luigi Magistrelli, clarinet - Nicholas Charles Bochsa: Petite mosaique sur La Creation d’Haydn
Chiara Granata, harp - Elias Parish Alvars, Introduction and Rondo
Kerstin Scholten, harp