Monthly platform for the Ars Acustica. Varying from experimental impro to acousmatics, from sound and radio art to composed contemporary music. And frequent attention to festivals and home recordings. This time we pay attention to two extraordinary synthesizers from the early days: Oskar Sala’s Mixtur Trautonium and the Salmar by Salvatore Martirano.
1. A. Alberts. tune cafe sonore. (A. Alberts).
Album: n/a (home recording composer).
2. Oskar Sala. Impression Electronique. (O. Sala).
Album: My Fascinating Instrument. Label: Erdenklang / 90340.
3. Oskar Sala & Friedrich Schoenfelder. Rede des Toten Christus. (O. Sala).
Album: My Fascinating Instrument. Label: Erdenklang / 90340.
4. Salvatore Martirano. The Salmar. (S. Martirano).
Album: Salvatore Martirano – The Salmar Construction. Label: Sub Rosa / SRV374.
5. Werner Durand. Im Gegenzug. (W. Durand).
Album: n/a (home recording composer). Label: n/a.
6. Oskar Sala. Fanfare. (O. Sala).
Album: My Fascinating Instrument. Label: Erdenklang / 90340.
