#304. Independent sound art, radiophonic projects and other audio non-visual misunderstandings and findings. ‘It will sound different when there are bodies in a room’ by FOQL aka Justyna Banaszczyk.
1. ‘It will sound different when there are bodies in a room’ by FOQL.
2. Song Poem show.
MORE INFO
1. Station to station, studio to studio. Created partially at WORM / Klangendum studios, It will sound different when there are bodies in a room… is a sonic essay by FOQL about the legacy of Polish Radio Experimental Studio. A story as scattered as the tapes used in studio’s „Black Room”, it centers around the ghost of Eugeniusz Rudnik, a longtime engineer and producer at the studio, who only after many tears has been finally accepted within the history of New Music in Poland as a composer of experimental music. For FOQL Rudnik’s story serves as a lens for her own story of fight for a place within today’s „New Music”, as she embraces his social background and advancement, but deconstructs the whole legacy of the Studio in terms of gender (one must note that there were many important female engineers, and producers, as well as some female composers working there and FOQL even takes a little sample from one of them) and its general exclusiveness. A story about complicated legacy, that was discarded, only to be utilised a few years later for safe monuments.
Justyna Banaszczyk.
FOQL.
www.oramics.pl
2. Song Poem show
As part of the Stripe festival (a long time ago, we dont dare to say when), The Worm studio founded a Song Poem workshop where people could pay a few euro’s and give a text, and the crew would make a song with it,made on 80ties equipment , mainly old cassette decks and obsolete casio’s.
