Electronic Frequencies

00:00 – 00:28 Electronic Frequencies tune

00:28 – 11:24 1. noto (DE)
time..dot, track 2, Untitled, 20’ to 2000 (1999)
released 1999 on noton.archiv für ton und nichtton, lc1126 – 10:56

11:25 – 24:07 2. Gottfried Michael Koenig (DE/NL)
Funktion Gelb (1968) – 12:42
released 2006 on Edition RZ 2003

24:08 – 32:46 3. So Oishi (JP)
Colour Composition 2 (2014) – 8:38
unpublished; available on sound cloud

32:45 – 35:14 4. alva noto (DE)
module 10, transform (2001) – 2:29
released 2001 on mille plateau, mp102

35:14 – 40:46 5. Kacper Ziemianin (PL)
15th of August at 11 am (2013) – excerpt – 5:32
unpublished

40:39 – 46:45 6. David Tudor (USA)
Rainforest – Versions 1 (1968) excerpt – 6:05
released 1998 on mode 64

46:42 – 53:27 7. Henk Bakker (NL)
The No On Studies The Tick (2014) – 6:45
unpublished; available on sound cloud and youtube

53:27 – 59:29 8. Dick Raaijmakers (NL)
Canon 5: Super “Dis-Moi” (1967) – 6:02
second edition released 2006 on Basta Music 3091562

59:29 – 59:57 electronic frequencies tune – 0:28
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track 1. noto
time..dot, track 2, Untitled (1999)
Noto and alva noto are two of several pseudonyms that the German artist and musician Carsten Nicolai (1965) uses as a musician and performer. In his work Carsten Nicolai seeks to overcome a separation of art forms and genres for an integrated artistic approach. Influenced by scientific reference systems, Nicolai often engages mathematic patterns such as grids and codes, as well as error, random and self-organising structures.
http://www.alvanoto.com
http://www.carstennicolai.de
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track 2. Gottfried Michael Koenig (1926)
Funktion Gelb (1968)
Electronic composition made at the Institute of Sonology in Utrecht.
G.M. Koenig is a composer of contemporary music, who has been living in the Netherlands since 1964. He was working with Stockhausen at the WDR studio in Cologne from 1954 onwards before he moved to Utrecht to teach at its University’s electronic music studio. In 1966 the studio was renamed to  Institute of Sonology. Koenig became its director and chairman until 1986, the year when Sonology moved to from Utrecht to The Hague. Ever since Koenig has been focussing on writing music and theoretical texts and on developing musical expert systems. Koenig lives with his wife in The Netherlands.
http://www.koenigproject.nl
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track 3. So Oishi
Colour Composition 2 (2014)
This is the second piece in a series of compositions by So Oishi that focus on sound colour or timbre.  The main tool to create fluctuating timbre in this piece is a Band Limited Oscillator which the composer programmed during his studies at the Institute of Sonology in The Hague.
So Oishi is an electronic music composer and performer from Tokyo, Japan. He started his musical career as a techno DJ in the United States. He currently lives in the Netherlands and works on both electroacoustic music and dance music.
https://soundcloud.com/so-oishi
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track 4. alva noto
prototypes, Module 10 (2001)
Noto and alva noto are two of several pseudonyms that the German artist and musician Carsten Nicolai (1965) uses as a musician and performer.  see info track 1.
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track 5. Kacper Ziemianin
15th of August at 11 am (2013)
Recording of an installation at the Barbican Centre in London – (excerpt)
Kacper Ziemianin is a Sound designer, circuit bender, improviser, producer, hacker, instrument designer and radio presenter. His audio installations and sounds have been shown and played in many places around Europe. Currently he is based in The Hague where he studies towards his Master degree in Sonology at the Royal Conservatoire. He holds a degree in Sonic Arts (BA) from Middlesex University in London, studied at the Cracow Music Academy with Marek Choloniewski, at STEIM in Amsterdam, and at the University of the Arts in Berlin with Alberto de Campo.
http://ziemianin.net/
https://vimeo.com/kacperziemianin/videos
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track 6. David Tudor (1926-1996)
Rainforest – Versions 1 (1968) excerpt
for the Merce Cunningham Dance Company
David Tudor and Takehisa Kosugi, live electronics
David Tudor was a pianist, composer and performer of electronic music. He studied organ, theory, piano, composition and analysis and became one of the leading avant-garde pianists of the 20th century. He gave highly acclaimed performances of works by composers such as Earle Brown, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, Stephan Wolpe, and La Monte Young. In the early fifties Tudor began working with John Cage, as a member of the Merce Cunningham Dance Company and with Cage’s Project of Music for Electronic Tape. Tudor gradually ended his active career as a pianist, turning exclusively to the composition of live electronic music.
http://www.davidtudor.org
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track 7. Henk Bakker
The No On Studies The Tick (2014)
for Bass Clarinet and Electronics
Henk Bakker is a musician, composer, radio maker, producer and organiser from Rotterdam. He plays  Bass Clarinet, Alto and B-Flat Clarinet. Additionally he works with software for live audio processing and audio editing, and with a large variety of analog and digital electronic instruments.   “Currently I work with interactive and semi interactive software environments, along with pre made sample structures and soundscapes, which enables me to build musical structures with certain amounts of predictable and unpredictable freedom of interaction with amplified Bass Clarinet. I have performed contemporary compositions for Bass Clarinet, with or without tape. At the moment i mostly study extended playing techniques and freeform improvisation.”
Henk Bakker’s current projects include Ghostride with Huib Emmer, The Xstatic Tics with Lukas Simonis and Subterraneanact with Robbert van Hulzen.
www.hekvibes.com
www.youtube.com/user/Bassclarinetculture/videos

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track 8. Dick Raaijmakers (1930-2013)
Canon 5: Super “Dis-Moi” (1967)
Dick Raaijmakers was a Dutch composer, theater maker, performer, installation artist, composition teacher, musical activist and theorist. He was one of  the pioneers of electronic music at the Philips Research Laboratories between 1954 and 1960. In 1966 he started to teach at the composition department of the Royal Conservatoire in The Hague where he became an innovator in music education. He drew much inspiration for his writings and for his artistic work from the lectures that he prepared for his students and the performances that he created with his students. Over the years Raaijmakers set up two entirely new departments at the Royal Conservatoire, the sound engineering departement (now Art of Sound) and the Interfaculty Sound and Image (now Art|Science), where he continued to hold guest lectures until 2005, ten years after his retirement. In 2006 Basta Music re-released Dick Raaijmakers’ Complete Tape Music (originally published in 1998 by NEAR/Donemus) and in 2007 V2_ in Rotterdam published Raaijmakers’ Monography, a book which provides a detailed overview of Raaijmakers artistic body of work. Raaijmakers’ archive was donated to the Netherlands Music Insitute and is currently being processed at the Royal Conservatoire of The Hague.
http://v2.nl/archive/people/dick-raaymakers/view