Composer Ezequiel Esquenazi.
Ezequiel Esquenazi composed pieces for orchestra, ensembles, solo instruments, electroacoustic and mixed. His works were premiered and programmed at festivals in different countries such as Switzerland, Russia, Belgium, France, Chile, Mexico, the US and Spain.
His electroacoustic pieces “Fall, memory and restitution” (2011) and “Vertiginoso Septiembre Táctil” (2020) received second prizes in the contest organized by the Destellos foundation. From the same contest, “Wind1000” (a piece commissioned by the Mixtur Festival of Barcelona) was a finalist in the 2018 edition.
Since 2018 he is a rewiever of the ICMC (International Computer Music Conference). He also collaborates with the New York City Electroacoustic Music Festival.
In 2015 Kohlenstoff Records, a label based in Montreal (Canada), dedicated to accusmatic and experimental music, released their album “Conflictos con la metáfora” (Conflicts with the Metaphor).
He received commissions from Marcelo González, Electroacoustic Ensemble from DAMus (National University of the Arts), Andrés Castellani, Ensemble Tsunami, Sussane Kessel (Germany), Alkunöir Duo, among others.
https://kohlenstoffrecords.com/artists/ezequiel-esquenazi/
01/ Sonatina (I) 02:15
02/ Forclusión XI (A Luis Al) 10:06
03/ Fassbinder 02:08
04/ Pequeña historia sobre l 09:30
05/ Sonatina (II) 03:47
06/ Caída, memoria y restitu 08:42
07/ How (aullido) 03:20
08/ Sonatina (III) 03:00
09/ Forclusión XI 07:25
10/ Moreno 06:16
11/ La Bola de Cristal (excerpt)* 02:31
Conflictos con la metáfora: Ezequiel Esquenazi, composición, producción y mezcla en Estudios Glosolalia, excepto: -”Forclusión XI”: Daniela Campisi, piano; Ricardo Cuadros Pradilla, guitarra. Grabado en el LIPM, marzo de 2014 por Gabriel Lucena. Compuesto y mezclado por Ezequiel Esquenazi en Glosolalia. -”Moreno”: Improvisación. Ana Foutel, piano; Ezequiel Esquenazi, electrónica en directo. Grabado en Spector, agosto de 2013. Mezclado por Ana Foutel y Ezequiel Esquenazi en Glosolalia. -”Pequeña historia sobre la rugosidad” y “Caída, memoria y restitución” fueron compuestas en el LIPM (ambas en versión octofónica) y remezcladas a estéreo en Glosolalia.
Released March 2, 2015 . All works created by Ezequiel Esquenazi.
* CARTOGRAFÍAS_SIX ENSEMBLE
Juan Antonio Miñana_percussion
Zebenzui González_viola da gamba
José Guillén_sinthesizer
Recording in december 2016.
Canary Islands.
