Audiosphere Sound Experimentation 1980 – 2020. Part 28.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. Jérémie Mathes. Ciclos [fragment]. 5:12.
02. Jeremy D. Slater. Live on the Ship in Bushwick, Brooklyn 3.16.19 [fragment]. 6:34.
03. Jeroen Diepenmaat. Hogweed plays Bos en Beemd at 33rpm. 3:59.
04. Jérôme Joy. Ecco [fragment]. 6:00.
05. Jérôme Noetinger. Un Temps. 5:00.
06. Jesse Paul Miller. The Bear Was A Dog [fragment]. 7:15.
07. JesterN (Alberto Novello). The Eye [fragment]. 5:05.
08. Jez riley French. turbine hall infrasound (geophones) [fragment]. 5:59.
09. Ji Youn Kang. Time Folding V.3 [fragment]. 7:26.
10. João Orecchia. Storage 1896–2015. 4:05.
11. minoru sato -m/s. threshold and dispersion of magnetic pendulum. 3:41.
