Audiosphere Sound Experimentation 1980 – 2020. Part 29.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. Joachim Montessuis. Satyriasis. 6:36.
02. Joaquín Gutiérrez Hadid. el dorado. 5:38.
03. Joda Clément. The Invisibles [fragment]. 5:25.
04. Jodi Rose. Sonic Infinity Cruise (3) [fragment]. 5:09.
05. Joel Chadabe. Many Times Benjamin. 5:30.
06. John B. McLemore. His Darker Paintings [fragment]. 6:56.
07. John Bence. Kill/Aftermath. 5:54.
08. John Butcher. Atelier. 4:48.
09. John Grzinich. Return To Jägala [fragment]. 5:27.
10. John Kannenberg. 24-24: Hour 5 [fragment]. 4:59.
11. John Oswald. Sampler Mystery Tapes [fragment]. 4:06.
