Re:light

Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.

“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.

By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.

Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.

01. Marie Guilleray. Estran [fragment]. 5:28.
02. Marije Baalman. Verlust. 03:29.
03. Marinos Koutsomichalis. Weierstrass function, finite state automata, and l-system [fragment]. 4:49.
04. Mark Bain. Harping [fragment]. 6:00.
05. Marko Uzunovski. Convergence (Edit) [fragment]. 5:58.
06. Marta Sainz & Enrique Zacagnini. Live at Sarean [fragment]. 5:49.
07. Marta Zapparoli. Pissed of Wasps in a Plastic Bottle [fragment]. 06:27.
08. Martijn Tellinga (Ensemble: Konzert Minimal). during, lasting .. exhibition piece [fragment]. 6:17.
09. Mason Jones. Yearning Like A Goddess In Pain [fragment]. 4:35.
10. MASONNA. Hyper Chaotic Chapter 1. 0:48.
11. Massimo Toniutti. Gravi. 3:12.
12. Mathieu Ruhlmann. tsukubai, part VI. 4:13.
13. Sachiko M. with 4. 2:44.