Resonator

00:00 Resonator Spot.
00:25 Andrew Cs – Walking Home Backwards.
04:20 Mark Groves – Bath House Amphitheatre.
07:00 Tetuzi Akiyama & Ayami Suzuki – Allelopathy Part 1.
10:23 Rat Heart – 1 U Can See Alex Park from Ere.
14:00 Rafael Toral – Hay que trabajo me cuesta quererte como te quiero.
19:30 Ronce – Never Cursed.
22:28 Andrew Pekler – Waterway Rhythm.
25:38 David Rosenboom – Corona Dance.
29:10 Rezzett – Sticky Toffee.
32:50 Claire Rousay – Sycamore Skylight.
35:48 Asher Tuil – Opus VII.
41:00 Lettera 22 – Exposition of Clove Part 1.
42:50 Food People – Food People at the River of Forgetting.
46:00 Viki Steiri – Brink.
49:20 Pavel Milyakov – raveing.
52:16 Vangelis – Rachel’s Song.
56:25 The Future Sound Of London – Her Face Forms In Summertime.

Andrew Cs.
Andrew Cs is a many media artist & creative programmer from the american midwest. exploring recursive time loops through their own digital memories, andrew’s sound blends captured spaces with bending synthesized loops improvised on custom software. following a half-chance encounter with a field recorder as a teen, andrew began cataloging moments of temporary calm – archiving disk drives of present textures in conversation with a future self.
https://andrewcs.bandcamp.com/album/caught-in-pointers

Mark Groves.
Sound artist
https://chocolatemonk.co.uk/available.html

Tetuzi Akiyama & Ayami Suzuki.
Ayami Suzuki, a musician based in the Tokyo area, performs a unique kind of ambient drone using electronics and voice. Since 2020 she has been performing at Ftarri in Tokyo, both as a soloist and with other musicians. Acclaimed guitarist Tetuzi Akiyama is active on the international improvised music scene. In 2021 Akiyama gave many outstanding performances at Ftarri; recordings of a number of these concerts were subsequently released as CDs. “Allelopathy” is one of these recordings.
https://ftarrilabel.bandcamp.com/album/allelopathy

Rat Heart.
Rat Heart lands on Modern Love’s 7” series with two asymmetric ohrwurms, featuring Ben Vince on the stunning saxophone-led A side, with a wildly morose Spanish guitar ballad on the flip.
https://soundcloud.com/modernlove

Rafael Toral.
Rafael Toral, born in Lisbon, has been bouncing between the music within sounds and the sounds beyond music since he was a teenager.
https://rafaeltoral.bandcamp.com/album/violence-of-discovery-and-calm-of-acceptance

Ronce.
Ronce is an experimental music project based on the female form and all the traumas that are tied to it. A translation of the constant surveillance, self disgust, rage, desire (or lack of).
It’s not only the performer’s voice, it’s a collective scream.
https://dawnrecords.bandcamp.com/album/cr-ve-dawn020

Andrew Pekler.
Andrew Pekler composes with samples, field recordings, electronic and acoustic instruments.
https://andrewpekler.bandcamp.com/album/love-among-the-crickets-waterway-rhythm

David Rosenboom.
Future Travel emerged from the confluence of two important streams in Rosenboom’s work at this time. First, his exploration of ‘propositional music’, defined as ‘complete cognitive models of music’ that start from the radical question, ‘What is music?’ In this case, the music belongs to the universe of Rosenboom’s In the Beginning (1978-1981), in which proportional relationships determine the material available to the composer in all musical parameters (harmonic relationships, melodic shapes, rhythmic subdivisions, dynamics, and so on). Second, the work documents a key moment in Rosenboom’s long collaboration with synthesizer pioneer Don Buchla. Having played a role in developing concepts for some of the modules of the Buchla 300 Series Electric Music Box (an innovative analogue modular system controlled by micro-processors), Rosenboom went on to write the software for Buchla’s hybrid analogue-digital keyboard synthesiser, the Touché, the instrument heard most prominently here.
https://blacktruffle.bandcamp.com/album/future-travel

Rezzett.
Lukid & Tapes collaborative project. The murkiest and most romantic mixture of jungle, garage and ambient noise paradigms.
https://rezzett.bandcamp.com/album/puddings

Claire Rousay.
Claire Rousay is a singular artist, known for challenging conventions in experimental and ambient music forms. rousay masterfully incorporates textural found sounds, sumptuous drones and candid field recordings into music that celebrates the beauty in life’s banalities. Her music is curatorial and granular in detail, deftly shaped into emotionally affecting pieces. sentiment is a meditation of the poignant emotional terrains of loneliness, nostalgia, sentimentality, guilt, and sex. The album’s narrative arc is guided by delicate musical gestures and artistic vulnerability, audaciously synthesizing disparate and unexpected influences. rousay crafted the songs in various homes, bedrooms, hotels, and other private places, the feeling of time and energy spent alone radiating from each passage. The album is a collection of heart-rending, incisive pop songs that explore universal feelings with subtlety and remarkable vision.
https://clairerousay.bandcamp.com/album/sentiment

Asher Tuil.
Asher Tuil is an artist living and working in wanskuck, providence, ri. for over twenty years asher has worked with recorded sounds as his primary medium. location recordings, electronic synthesis, found sounds and a variety of other sources are used in his compositions to create a rich and dynamically varied body of work which examines these materials extensively.
https://ashertuil.bandcamp.com/album/opus-2

Lettera 22.
Exposition of Clove is the new fast electro-acoustic album by the duo of Matteo Castro and Riccardo Mazza. Hailing from the farthest North-East glacial tip of Italy, Lettera 22 utilize elements of musique concrete sound sources, delicately sampled, looped and edited; resulting in 5 very subtle and rich compositions of textured noise and field recordings via analogue tapes and feedback.
https://nashazphone.bandcamp.com/album/exposition-of-clove

Food People.
Luminous Immediate is eight songs of wind, string, whistle, tape manipulation, poems and field recordings. At times the album feels quite emotionally convivial, small glances of support and wordless encouragement, a riff like a ruffle of the hair. At other points the songs become disquieting, sinister, the early morning dialogues of a an anxious brain, whirring its way through recent conversations (lots of words now). Throughout, Luminous Immediate invites you into the songs and their process – several hands stirring the pot – a beautiful tomographic snapshot of Food People’s back-garden compost.
https://glarc.bandcamp.com/album/luminous-immediate

Viki Steiri.
Viki Steiri is a composer, cellist, pianist and interdisciplinary artist. Born in Greece, she moved to London in 2005 and is based in Athens as of 2021. She has written music for installations, performance, video art and film. Her debut LP Balm was released digitally by Alien Jams and on vinyl by Rekem Records in 2024. She is a member of the improvised music/art group Ectopia (‘life/section’, 2017, Wysing Polyphonic), and has collaborated with other artists on releases such as ‘Future Chorus’ (with Eleni Ikoniadou, 2023, Maenads/Hypermedium) and ‘sex robot’ (with Turner prize winner Sidsel Meineche Hansen, 2019, self-released).
https://www.vikisteiri.com/

Pavel Milyakov.
Pavel Milyakov is an electronic artist and music producer from Moscow, whose contributions have seen him rise as a formative figure of Russia’s electronic music scene.
https://buttechno.bandcamp.com/album/project-mirrors

Vangelis.
Blade Runner: Original Motion Picture Soundtrack is the soundtrack for Ridley Scott’s 1982 science-fiction noir film Blade Runner, composed by Greek electronic musician Vangelis. It has received acclaim as an influential work in the history of electronic music and one of Vangelis’s best works. It was nominated in 1983 for a BAFTA and Golden Globe for best original score. The score evokes the film’s bleak futurism with an emotive synthesizer-based sound, drawing on the jazz scores of classic film noir as well as Middle Eastern texture and neo-classical elements.
https://en.wikipedia.org/wiki/Blade_Runner_(soundtrack)

The Future Sound Of London.
British duo who met in the 1980s in Manchester. Their very influential discography shows off influences spanning acid house, hardcore techno, ambient, krautrock, ’60s psychedelica, and more. Previously Dougans, as Humanoid, had a UK Top 10 hit with Stakker Humanoid. Together as FSOL, they scored a major crossover success with Papua New Guinea. Their first full-length Accelerator charted their dancefloor-friendly early career, after which FSOL moved into deeper, more album-oriented world. Lifeforms was a double-disc set spanning long stretches of breakbeat-flavored ambience. It was followed by Dead Cities which added hip-hop, trip-hop, industrial textures, and bleak urban imagery into their mix of influences. Their ISDN album compiled music from their ISDN-uplinked radio broadcasts from the mid-1990s. After Dead Cities came out in 1996, they felt like they were moving in the wrong direction and they dropped off the radar after the A Monstrous Psychedelic Bubble Exploding In Your Mind Vol.1 mix in mid 1997.
https://www.discogs.com/release/8069-The-Future-Sound-Of-London-Dead-Cities